'Even in the late twentieth century, museums have never lost sight of their origins as cabinets of curiosities. Now when we enter the space of the museum, we enter another world where we move from one room to the next, gazing at the exotic objects laid out before us like a sumptous feast set out for our eyes to consume. Like delectable sweetmeats beyond our reach, these artefacts offer up the promise of unfamiliar, illicit pleaseures which are visible but unattainable, to be seen but not touched. In the Cultures gallery, Sonia Boyce has circumscribed our gaze and forced us to acknowledge the very act of looking in a museum as an illicit act...' Gilane Tawadros