Assembling over 70 works from Indonesia, Malaysia, Phillipines, Singapore, Thailand, and Vietnam, this exhibition showcases the visual brilliance and conceptual purpose of recent Southeast Asian practice. Providing regional comparisons, it illuminates the common themes, aesthetic approaches, and conceptual tendencies that have surfaced since the early 1990s. Commonalities coming to he fore include story-telling, the meshing of idea and visual seduction, and a belief in art-as-social-voice. Arguing for a view of the region’s visual production on the region’s terms, the curatorial reference used to contextualise the pieces are mined in Southeast Asian history, geography, and culture. The exhibition proposes the confluence of recent political history, profound social shifts, and artists’ confidence vis a vis their deep-rooted cultural baggage as significant to the creation of the visually potent and conceptually original art of the last two decades.

Essays by Tash Aw, Khairuddin Hori, Agung Hujatnikajennong, Iola Lenzi, Susie Lingham, Apinan Poshyananda, Eileen-Legaspi-Ramirez, Nora Taylor, and Tan Boon Hui.